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Star Trek Beyond Print E-mail
Written by Joseph McAleer, Catholic News Service   
Wednesday, 10 August 2016 14:50

NEW YORK (CNS) - Fifty years after its debut on television, "Star Trek" bursts onto the big screen again in its 13th feature-film outing.

While the bad luck dreaded by triskaidekaphobes fails to curse the aesthetics of this latest production, there is an unwelcome - though fleeting - development in the moral realm.

Overall, "Star Trek Beyond" (Paramount) is a rousing and rambunctious 3-D adventure, directed at a furious pace by Justin Lin. That seems natural enough, given that Lin is perhaps best known for helming several of the films in the "Fast & Furious" franchise.

Here, with nary an automobile in sight, Lin embraces the universe as his canvas and makes the most of it. He stages thrilling scenes of galactic peril, including the wholesale destruction of the Starship Enterprise.

Fortunately, screenwriters Doug Jung and Simon Pegg (who plays Chief Engineer Scotty) allow viewers to pause and catch their breath, interspersing quieter scenes of the crew members bonding for character development.

Fatigue and malaise have struck the denizens of the Enterprise at the midpoint of their five-year mission. The captain, James T. Kirk (Chris Pine), is jaded and restless. The romance between Cmdr. Spock (Zachary Quinto) and Lt. Uhura (Zoe Saldana) has waned. Ship's doctor "Bones" McCoy (Karl Urban) is crankier than ever.

In a twist that has made headlines, helmsman Sulu (John Cho) is revealed to be gay. In a brief scene, he's shown with a male partner and young daughter. The casualness with which this situation is treated is itself part of an underlying agenda.

The Enterprise docks at a floating metropolis called Yorktown for a refit. There Kirk receives his next mission: A distress call in an uncharted part of the galaxy - ergo, "beyond" - must be answered.

It's a trap, of course, and before you can say, "Beam me up, Scotty," the ship is destroyed and the crew taken hostage on a hostile planet.

A reptilian megalomaniac named Krall (Idris Elba) is to blame. He seeks the wholesale destruction of humanity (of course) through use of the ultimate weapon (what else?).

Krall's motives and true identity are revealed in due course. In the meantime, it's up to Kirk to rally his troops and stage a counterattack against overwhelming odds.

"We will do what we have always done," says Spock. "We will find hope in the impossible."

Luckily there's also a friendly zebra-striped alien named Jaylah (Sofia Boutella) waiting in the wings with a bag of tricks. When she's not too busy smacking down the baddies, Jaylah likes to fix things and make eyes at Scotty.

"Star Trek Beyond Comprehension" might be a better title for a film so crammed with technical jargon and nostalgic references that only diehard Trekkies will fully understand. Even for those outside that category, however, this could normally be endorsed as a fun summer popcorn movie, though its action is too intense for kids.

Yet, by choosing to climb aboard the gay-pride bandwagon (which nowadays often feels more like a juggernaut) and embrace an undiscriminating attitude toward actions incompatible with a Gospel-based lifestyle, the filmmakers set themselves at odds with Christian values.

Many grown moviegoers may, in reality, be prepared to take this (admittedly incidental) element of the picture in stride. Given the broad cultural impact this widely loved franchise is capable of exerting, though, and the clear intent to make a statement with the scene in question, the restrictive classification assigned below seems necessary as a warning, if nothing else.

The film contains considerable, mostly bloodless violence, including torture, a benign view of homosexual acts and a fleeting sexual reference. The Catholic News Service classification is L - limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 - parents strongly cautioned. Some material may be inappropriate for children under 13.

McAleer is a guest reviewer for Catholic News Service

The Secret Life of Pets Print E-mail
Written by John Mulderig, Catholic News Service   
Friday, 15 July 2016 14:15

NEW YORK (CNS) - Back in 1995, the classic children's film "Toy Story" purported to show audiences what playthings get up to when they aren't being observed by people. Now "The Secret Life of Pets" (Universal) does much the same for domesticated animals.

The result is an entertaining animated free-for-all in which amusing characters and pleasing visuals of the Manhattan setting predominate over a serviceable but sketchy plot.

Terrier Max (voice of Louis C.K.) is the pampered pooch of New York apartment dweller Katie (voice of Ellie Kemper). Max's only complaint is that Katie's work separates them for much of the day.

While she's gone, though, Max is free to cavort with the other pets in the neighborhood, including Gidget (voiced by Jenny Slate), a fluffy Pomeranian who harbors a secret crush on him. With their owners absent, the animals not only communicate with one another, they act in all sorts of ways the humans never suspect.

Max's mostly pleasant routine is suddenly disrupted one evening when Katie brings home big, shaggy Duke (voice of Eric Stonestreet), a rescue dog from the pound. Though Duke initially tries his best to be friendly, Max, feeling threatened, rebuffs him. It's not long before the two sink into a rivalry that leads to the series of comic misadventures to which helmer Chris Renaud, together with co-director Yarrow Cheney, devotes most of his attention.

As Max and Duke go inadvertently on the lam - and struggle to evade the city's animal enforcement officers - they fall in with a variety of colorful personalities.

These include Snowball (voice of Kevin Hart), a diminutive rabbit whose manners, vocabulary and fondness for violence incongruously mimic those of a crazed gang leader, as well as a hawk named Tiberius (voice of Albert Brooks). Tiberius has an ongoing ethical dilemma: he's torn between his desire to befriend other creatures and his urge to devour them.

The upshot of it all is that Max and Duke's mutual hostility begins to melt away in the face of shared adversity. And romance blossoms as Gidget proves her mettle in Max's hour of need.

Targeted tots will learn lessons about accepting the arrival of a younger sibling and about the value of self-sacrifice. The smallest moviegoers, however, may be put off by the dangers that loom on screen while some parents may not be pleased by all the litterbox humor on display there.

Those mild lapses in taste aside, "The Secret Life of Pets" makes for an experience as warm and fuzzy as a cuddle with your favorite puppy or pussycat. The feature is preceded by an animated short, "Mower Minions," in which the pixilated creatures of the title attempt to raise some cash by doing yardwork-  with predictably chaotic, and hilarious, consequences.

The film contains potentially frightening scenes of peril, considerable cartoon violence and numerous scatological jokes involving animals. The Catholic News Service classification is A-I-- general patronage. The Motion Picture Association of America rating is PG - parental guidance suggested. Some material may not be suitable for children.

Mulderig is on the staff of Catholic News Service.



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